March 2025

Sony Will Release ‘Barbarian’ Director’s ‘Resident Evil’ Movie in September 2026

After seven live action movies and a short-lived Netflix television series, Constantin Film and PlayStation Productions are bringing Resident Evil back to the big screen, with Zach Cregger (Barbarian) writing and directing. Several studios had been engaged in a bidding war for the project, but Deadline reports today that the property will stay at Sony.

Warner Bros. and Netflix had reportedly also been in the mix. Sony, who released all previous RE movies, will release Zach Cregger’s Resident Evil in theaters September 18, 2026.

Zach Cregger’s Resident Evil is said to “take the title back to its horror roots and be more faithful to the initial games,” with Cregger and Shay Hatten (Army of the Dead) writing.

“I’ve been a rabid fan of these games for decades and to be able to bring this amazing title to life is a true honor,” Zach Cregger told Deadline in a statement published this afternoon.

Sony’s Sanford Panitch adds, “Zach is one of the most talented exciting new directors to come on the scene in many years. His brilliant approach in restarting and refreshing this legendary Sony franchise instantly makes this one of our most important releases in 2026.”

The most recent installment in the film franchise, director Johannes Roberts’ Resident Evil: Welcome to Raccoon City took a similar approach back in 2021, but ultimately failed to resonate with fans. It came in the wake of six movies starring Milla Jovovich, which collectively surpassed $1 billion at the box office by embracing an action-heavy approach to the material.

More recently, the Netflix series “Resident Evil” ran for just one season before being axed by the streamer, premiering in July 2022 to mixed reviews before being cancelled that August.

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Going Back in Time to Revisit the Adrien Brody Thriller ‘The Jacket’ 20 Years Later

If you were lucky enough to snag a DVD rental or “previously viewed” copy from your local Blockbuster or Hollywood Video store just before their demise, you already know The Jacket (2005). It’s one of those movies that the majority of us who checked it out are still recommending to people to this day. It’s a dark, brooding but hopeful film that sometimes will remind you of Donnie Darko from a few years previous. Or maybe The Machinist (2004). Definitely The Butterfly Effect (2004).

We liked our dark emotional thrillers wrapped in heart wrenching love stories back then. 

The initial thing that drove me and my little black parade towards The Jacket was Adrien Brody. It seems weird to call a guy with two Academy Awards (The Pianist, The Brutalist) underrated but in his case, the shoe fits. Despite all the great films in his filmography, it still seems as though he’s been taken for granted in Hollywood. Alas, he’s the perfect lead for this story. The kind of guy who looks like he’s got some pain behind those eyes. Who’s been through some shit but still has a kind heart. A tortured soul like Ryan Gosling in Half Nelson (2006) or Jim Carrey in Eternal Sunshine of the Spotless Mind (2004). We really were in a mood in the mid-2000’s, eh?

In The Jacket, Adrien Brody plays Jack Starks, who’s shot in the head by a child he was trying to help during the Gulf War. He briefly dies on the table but survives, albeit with sudden bouts of amnesia. He’s walking down a snowy boulevard of broken dreams (the icy backdrop of the entire film is as beautiful as it is depressing) when he comes across a small girl and her drugged out mother. He fixes their truck for them and even gives the little girl his dog tags. A hitchhiker then picks him up but kills a cop that pulls them over, leaving Jack, who can’t remember what happened, to take the fall for it.

Jack is found guilty by insanity and sentenced to a mental hospital where Dr. Becker (Kris Kristofferson) starts doing cruel mental experiments on him. They break into his cell late at night and violently jab him with a syringe full of mystery medicine, wrap him in a straitjacket, and lock him in a morgue drawer for an extended period of time. There, he starts to have jarring visions and eventually finds himself actually travelling through time while in this cube ‘o death. I realize it sounds like the film just jumped the proverbial shark but it hasn’t. When you think about all the mental trauma he’s had, the fact that he’s been dead before, had a literal bullet in his brain, and is being subjected to these wild experiments, this actually turns into one of the most realistic time travel situations I’ve seen in a film.

From there, Jack mysteriously finds himself in the path of Jackie (Keira Knightley), the little girl whom he’d helped on the side of the road all those years ago, as a chain smoking, vodka chugging adult. She’s a miserable person who had a hard life after her mom died from burning alive due to passing out with a cigarette. The two find a connection together through their shared pain in this cruel world, sleep together and fall in love. It’s actually very awkward because the last time they met she was a little kid. It’s kind of like in Back to the Future when Marty’s own mother tries to hit on him. Time travel movies are weird, man. It’s a love story with a gnarly thorn in its side, however. Because, you know, he’s actually somewhere else, with a needle in his arm, inside of a goddamn morgue drawer traveling through time. Which makes relationships hard!

The two then investigate what’s happening to other timeline Jack, who this mysterious Dr. Becker is, and also grapple with the fact that Jack learns the date of his own death. Which, as fate would have it, is coming quite soon and it’s rather unavoidable!

The Jacket is one of those movies where the premise during the first half of the film is so genius, it ends up working against the second half of the film (this may be why it was received with such critical dismissiveness; the audience scores are more favorable). This story is so original and earnest that it feels as if it’s headed somewhere earth shattering. When, in reality, it’s just a heartbreaking story about two broken people finding each other. What seemed like the next mind-bending jaw dropper was simply a love story in disguise.

The road to get there was none the less dark, twisted, and fascinating. The Jacket also includes some amazing performances and shockingly ahead of its time casting choices. Daniel Craig plays a fellow mental patient who may or may not have tried to kill his wife on forty-seven different occasions. There’s an entire One Flew Over The Cuckoo’s Nest storyline at play as Craig’s character, Rudy, and Jack try to understand what Dr. Becker is up to and what “being crazy” really means. You’ll both wonder how nobody discovered the insane talent of Daniel Craig earlier and how in the Hell someone looked at this wild-ass, rugged character and saw James Bond (which would come a year later with Casino Royale). I guess it’s called acting, folks.

Thethere’s Dr. Beth (Jennifer Jason Leigh), who’s sympathetic but ultimately powerless in the situation. She’s able to add another overwhelmed but not quite broken character to the bleak landscape of the film. And there’s of course Keira Knightley, who is, in fact, over-doing the whole “Fiona Apple in the Criminal video” thing, but the over-dramatics sort of fit the world they’re in. Which feels almost like a more rural version of the atmosphere in something like The Crow. It’s all quite depressing… but it can’t rain all the time.

Though mostly a Sci-Fi Thriller, the horror of The Jacket is multi-faceted. There’s the physical horror moments of being harshly stabbed with a large needle at odd angles and being thrown into a morgue drawer; or being shot in the head, dying, and then coming back to life. Finally, there’s the horror of living a life of terrible luck. A good man sent to war, shot by a child, left lonely and drifting through a snowy landscape like an even sadder Rambo and ultimately being framed for murder. The helplessness of being sent to live in a cold mental institution when you don’t feel crazy. All while carrying the guilt of a crime you know you’d never commit. It’s pure misery. Pure horror.

Overall, the scariest (and saddest) thing about The Jacket is just how fragile the lives around us really are. How one tiny decision like smoking a cigarette in bed or one moment of bad luck like slipping on a patch of ice can tragically alter the course of the one and only life we’re given. Though the movie ends on a rather simple and even hopeful note that may have underwhelmed some, I feel like it’s more of a revelation that no matter how painful our lives can be, if we can make just one person’s life better by being a part of it? It’s all worth it.

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The Father Of The True Crime Documentary Is Back With A Charles Manson Netflix Movie

Errol Morris, who more or less created the true crime documentary formula as we know it, is back with the Netflix true crime doc CHAOS: The Manson Murders.

Silo Season 2: The Safeguard Explained

The Apple TV+ series Silo has proven to be one of the best sci-fi shows in recent memory, and the big reveal at the end of season 2 solidified it.

Why Oscar-Winning Composer Hans Zimmer Turned Down Marvel

Hans Zimmer has composed music for Batman, Superman, and Spider-Man, but he’s never scored a movie in the Marvel Cinematic Universe. Here’s why.

The Best Music Biopic Of All Time Is Completely Inaccurate (And That’s Fine)

Now on 4K for the first time ever, Amadeus is the best music biopic of all time, even if it’s almost completely inaccurate.

Zombie Tree Frogs Attack in Clive Barker’s ‘Night of the Zoopocalypse’ Clip

Felix the monkey is attacked by a creepy, crawly army of zombie tree frogs in the new clip from Night of the Zoopocalypse below.

Inspired by a concept from master of horror Clive Barker, the animated family film escapes into theaters tomorrow from Viva Pictures.

When chaos breaks loose at Colepepper Zoo, clever young wolf Gracie must team up with tough but softhearted mountain lion Dan to survive. With a ragtag crew—including Xavier the movie-buff lemur, Frida the fearless capybara, and Poot, the tiniest (but mightiest) pygmy hippo—these unlikely heroes must outwit a horde of zombie animals and reclaim their home.

David Harbour (“Stranger Things”), Scott Thompson (“The Kids in the Hall”), Paul Sun-Hyung Lee (“The Mandalorian”), and Gabbi Kosmidis (“Unicorn Academy”) lead the voice cast.

Veteran animators and story artists Ricardo Curtis (The Incredibles) and Rodrigo Perez-Castro (The Book of Life) co-direct from a script by James Kee (A Christmas Horror Story) and producer Steven Hoban (Cube, Ginger Snaps). Barker executive produces.

For those in the UK, Night of the Zoopocalypse is expected to release overseas this Halloween season via Kazoo Films.

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Tim Burton’s Batman Universe Is Introducing A Beloved DC Villain More Than 35 Years Later

Tim Burton’s Batman Universe is continuing in a new novel coming out this year that brings a beloved DC villain into the continuity of Burton’s Bat-films.

“Don’t Talk!” – Alamo Drafthouse PSA with ‘The Rule of Jenny Pen’ Stars John Lithgow & Geoffrey Rush

How often have you wanted to turn to a rude movie patron and yell “Will you shut the fuck up?”

John Lithgow does just that to his The Rule of Jenny Pen co-star Geoffrey Rush in a PSA for Alamo Drafthouse.

In the humorous clip below, Lithgow performs Shakespeare’s Richard II while Rush is nuance to society who can’t stay off his phone in the theater.

Praised by Stephen King as “one of the best movies I’ve seen this year,” The Rule of Jenny Pen hits theaters this weekend from IFC Films.

A former judge (Rush), confined to a secluded rest home and trapped within his stroke-ridden body, must stop an elderly psychopath (Lithgow) who employs a child’s puppet to abuse the home’s residents with deadly consequences.

George Henare, Nathaniel Lees, Thomas Sainbury, and Ian Mune round out the cast.

The New Zealand production is directed by James Ashcroft from a script he co-wrote with Eli Kent, based on the short story of the same name by Owen Marshall. The three creatives previously collaborated on Coming Home in the Dark.

Matt Donato wrote in his review, ” The Rule of Jenny Pen showcases behind-the-camera command, excellent performances, and that horror has no age limit. Geoffrey Rush plays wounded and stubborn, while John Lithgow gives himself to the mocking malevolence of a nasty hand puppet. It’s a methodical brand of fearfulness that isn’t about jump scares or unnatural forces, but that’s the point.”

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‘It Feeds’ Trailer – Ashley Greene Battles a Malevolent Entity This April

Ashley Greene (Twilight) and Shawn Ashmore (Frozen) star in director Chad Archibald’s It Feeds, and Fandango at Home has debuted the official trailer this afternoon.

Look for It Feeds in theaters this coming April and watch the trailer below.

In the film…

“After a young girl bursts into their home psychiatry practice claiming an entity is feeding on her, Jordan and her clairvoyant mother must find a way to stop the force before the girl is taken completely.”

The cast also includes Mark Taylor.

It Feeds is the first movie in a planned 10-movie production slate from Productivity Media Inc (PMI) and Black Fawn Films, said to be a “unique brand of genre films that will not only engage and terrify but pull at the heart strings of our audience.”

Chad Archibald notes, “This slate won’t just include horror films — there will be content specifically crafted for today’s audiences, blending genres to shock and surprise viewers.”

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