December 2024

‘Nosferatu’ Scares Up $40 Million Christmas Weekend Debut

It was an unconventional strategy. Focus Features made the bold choice to release Robert Eggers’ period horror movie Nosferatu on Christmas Day, offering up a fresh take on a gothic horror classic as a bit of counterprogramming against traditional holiday fare. And it was a gamble that paid off, with Nosferatu sinking its fangs into an impressive opening weekend.

Here in the United States, Nosferatu scared up $40.3 million in its 5-day holiday weekend debut, which Variety notes is “the biggest Christmas Day launch and weekend haul for a genre film, overtaking the benchmark set in 1998 by Robert Rodriguez’s high school sci-fi story The Faculty with $4.4 million on opening day and $11.6 million over the traditional weekend.”

“Heading into the extended Yuletide frame, Nosferatu was projected to open to $25 million from 2,992 North American theaters,” Variety further details. “Focus Features reported that 40% of opening weekend crowds purchased their tickets the day before they saw the movie.”

Nosferatu took a bite out of $11.5 million on Christmas Day alone, with the film’s traditional 3-day opening weekend frame pulling in $21.1 million. That gives it the highest opening weekend of Robert Eggers’ career thus far, surpassing The Witch, The Lighthouse, and The Northman.

The production budget for Nosferatu was a reported $50 million, so it’ll need to keep making money in the coming weeks in order to turn a profit for Focus Features. But the film is off to one hell of a good start as the calendar flips over to 2025, the box office success no doubt driven by rave reviews that have thus far given the film a 86% Fresh score on Rotten Tomatoes.

One of those rave reviews came courtesy of Bloody Disgusting’s head critic Meagan Navarro, who declared Nosferatu to be the very best horror movie released this entire year.

Meagan writes, “There’s not a single facet of Nosferatu that doesn’t impress for the sheer artistry on display. Bill Skarsgård’s unrecognizable transformation as Count Orlok startles, but it’s Lily-Rose Depp’s mesmeric performance as Ellen, the outcast trapped on society’s margins and forced to become both victim and hero, that stuns.”

“Productions on this scale are rare in horror,” Meagan’s 5-star review continues, “and Nosferatu is operatic and dramatic, bold and revolting, with a powerful final shot for the ages.”

Robert Eggers’ Nosferatu is of course a remake of the 1922 classic directed by F.W. Murnau, which itself was an unofficial adaptation of Bram Stoker’s legendary horror novel Dracula.

[Related] The 100 Year History and Legacy of ‘Nosferatu’

Stay tuned for more box office reporting on Nosferatu as the numbers roll in.

The post ‘Nosferatu’ Scares Up $40 Million Christmas Weekend Debut appeared first on Bloody Disgusting!.

Stylish Murder: Six Modern Giallo Films Worth Your Time

Every culture puts its own unique spin on horror tropes, with people from different times and places being frightened by different things. One of the most fascinating examples of this occurred during the 60s-70s in Italy, with a group of genre filmmakers collectively deciding that, to them, horror meant gory whodunnits with surreal visuals and blood that looked more like paint than corn syrup.

And while that initial Giallo movement has long since faded into obscurity (with modern audiences being less receptive to obvious dubbing and cheesy practical effects), there are still some intrepid filmmakers out there who are attempting to keep the spirit of the genre alive with neo-Giallo productions meant to remind us that horror movies don’t always have to be realistic. And in honor of these stylishly retro features, we’ve decided to come up with a list celebrating six modern-day Giallo flicks for your viewing pleasure.

After all, there’s nothing quite like watching stylish murder to the tune of Italian progressive rock!

As usual, don’t forget to comment below with your own neo-Giallo favorites if you think we missed a particularly fun one.

With that out of the way, onto the list…


6. The Last Matinee (2020)

From a mysterious killer wearing black gloves to a deliciously meta location brought to life through colorful lighting, Maximiliano Contenti’s The Last Matinee boasts all the classic Giallo tropes that we’ve come to know and love. However, this Latin-American co-production is a lot more than a simple re-hash of its inspirations, with the film also serving as a heartfelt salute to the traditional moviegoing experience itself.

After all, the majority of the flick takes place inside an aging movie theater as a vicious murderer takes advantage of the distractions on the big screen in order to dispatch his victims in increasingly absurd ways – always making sure to collect their eyeballs in a clever nod to the importance of visual storytelling.


5. The Old Man in the Rocking Chair (2022)

We don’t usually include short films on these lists due to their limited availability (I mean, what’s the point of recommending a movie if it’s only available on the festival circuit?), but Eric Yoder’s The Old Man in the Rocking Chair is currently streaming for free on YouTube – and it also happens to be one of the most entertaining flicks on this list.

A retro love-letter to the great Giallo features of yore, this short combines all the classic genre staples (from neon red blood to POV murders) with an absurd original story that would have been right at home on 1970s cinema screens. The short also repurposes music from artists like Goblin and even Ennio Morricone, making it a must-watch for cinephiles!


4. Piercing (2018)

Nicolas Pesce’s disturbing indie thriller Piercing may have been based on a novel by Japanese author Ryū Murakami, but it’s no secret that this criminally underseen film takes most of its tonal and aesthetic inspirations from the heyday of Italian horror cinema.

Starring Christopher Abbott as a deeply troubled father who decides to take out his homicidal urges on a prostitute (played by Mia Wasikowska) in order to protect his own family, Piercing relies less on gore and more on the inherent psychological tension of its cat-and-mouse premise (not to mention the dreamlike atmosphere) in order to entertain viewers.

And did I mention that the flick also includes Goblin on the soundtrack?


3. Knife+Heart (2018)

Telling a surprisingly poignant story about a 1970s gay porn producer who discovers that her crew is being stalked by a vengeful masked killer, Yann Gonzalez’s Knife+Heart features a perfect blend of retro exploitation and modern genre sensibilities.

While it’s a bit less surreal (and a lot sleazier) than most legitimate Giallo productions, Gonzalez’s film stands out by making the story surrounding the over-the-top murders nearly as interesting as the genre elements – especially when you consider that Vanessa Paradis’ main character is based on the real-life adult filmmaker Anne-Marie Tensi.


2. The Editor (2014)

Adam Brooks’ and Mathew Kennedy’s retro horror-comedy The Editor shouldn’t be your first Giallo experience, but it’s still one hell of an entertaining ride through the dark side of filmmaking – as well as a passionate love-letter to Italian genre cinema. A low-budget period piece, the film tells the tongue-in-cheek story of a troubled film editor who finds himself caught up in a bizarre murder investigation while attempting to finish post-production on his latest project.

Combining retro visuals with hilarious in-jokes and even a few creative attempts at cosmic horror, The Editor is certainly not for everyone, but it’ll definitely appeal to Giallo fans looking for something a little less serious.


1. Malignant (2022)

I’ve been scoffed at for admitting that Malignant is my favorite James Wan movie, but I can’t help but respect a filmmaker that decides to direct a big budget version of a Frank Henenlotter production immediately after breaking $1 billion at the box office with Aquaman. That being said, while Malignant clearly lifted several of its ideas from ’90s schlock, it’s pretty clear that Wan was aiming towards Giallo when the time came to develop the overall mood and tone of this oddball horror flick.

Not only does Malignant capture the surrealist flair of a classic Giallo feature (and that’s not even mentioning the over-the-top gore and sci-fi elements), but the film does so without retreading the same ground as masters like Argento and Bava – which is why I believe it earns its place at the top of the list.

The post Stylish Murder: Six Modern Giallo Films Worth Your Time appeared first on Bloody Disgusting!.

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